|
|
|
|
|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
|
PUGET, Pierre
French Baroque Era Sculptor, 1620-1694
French sculptor, painter, draughtsman and architect. Puget was one of the outstanding artists of his century, but his style, formed by the Italian Baroque, did not however always find favour in the classicizing atmosphere of the French court, where Jean-Baptiste Colbert would describe him in 1670 as 'a man who goes a little too fast, and whose imagination is a little too heated'. Although the son of a master mason, Simon Puget (d 1623), Puget was largely self-taught, as were his brother Gaspard Puget (1615-after 1683), an architect, and his son Fran?ois Puget (1651-1707), a painter. Apprenticed in 1634 to a wood-carver, Jean Roman, in Marseille, he left in 1638 for Italy, spending some years in Florence and Rome close to Pietro da Cortona, presumably as a stuccoist and painter, although his part in the decoration of the Palazzo Pitti, Florence, Cortona's main project of these years, is not clear. From 1643 he practised sculpture and painting at the Toulon Arsenal, France's largest naval shipyard, where he was appointed to the wood-carving workshop: around 1645, for instance, he designed and supervised the decoration of the ship Le Magnifique (in 1646 renamed La Reine; destr.). According to some sources, in 1646 he made a second journey to Italy, |
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
Portrait of the Artist's Mother af
1651-55
Oil on canvas, 60 x 50 cm
Private collection, Nimes
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
St Peter Holding the Key of the Paradise sg
1653-59
Oil on canvas, 183 x 87 cm
Parish Church, Grandcamp
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
The Sacrifice of Noah f
1654
Oil on canvas, 92 x 62,5 cm
Mus??e des Beaux-Arts, Marseille
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
The Visitation af
1659
Oil on canvas, 252,5 x 173,5 cm
Mus??e Granet, Aix-en-Provence
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
The Visitation (detail)
1659
Oil on canvas
Mus??e Granet, Aix-en-Provence
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
The Holy Family at the Palm-tree g
1662-63
Oil on canvas, 210 x 140 cm
Private collection, Aix-en-Provence
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
Self-portrait ag
1668-69
Oil on canvas, 47 x 38 cm
Mus??e Granet, Aix-en-Provence
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
Self-portrait in Old Age af
1690-92
Oil on canvas, 75 x 61 cm
Mus??e du Louvre, Paris
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
Virgin Giving the Scapular to St Simon Stock sg
Oil on canvas, 78,5 x 53,5 cm
Mus??e des Beaux-Arts, Marseille
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
The Education of Achilles by Chiron ar
c. 1690
Oil on canvas
Mus??e des Beaux-Arts, Marseille
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
Vessel Firing a Salvo
41 x 64,5 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
Great Vessel of War
28 x 41,8 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
Two Vessels under Sail
33,3 x 51,1 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
View on the Sea Time
27,2 x 44,7 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
Navigation before a Promontory
20 x 23,4 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
Study of a Horse
34,5 x 27,7 cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
The Stoning of St Peter
1654 Terracotta, 38 x 51 cm Mus?e des Beaux-Arts, Marseille The fragment (the upper part of the relief is missing) was probably a study to a panel of an unidentified altarpiece. The iconography of the relief is related to the painted versions of the subject executed by the Genoese painters of the 17th century, notably Giovanni Andrea Ferrari and Gioacchino Assereto.Artist:PUGET, Pierre Title: The Stoning of St Peter Painted in 1651-1700 , French - - painting : religious
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
PUGET, Pierre
Self portrait
17th century
Medium Oil on canvas
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
1 | |
|
|
|
|
| PUGET, Pierre
|
French Baroque Era Sculptor, 1620-1694
French sculptor, painter, draughtsman and architect. Puget was one of the outstanding artists of his century, but his style, formed by the Italian Baroque, did not however always find favour in the classicizing atmosphere of the French court, where Jean-Baptiste Colbert would describe him in 1670 as 'a man who goes a little too fast, and whose imagination is a little too heated'. Although the son of a master mason, Simon Puget (d 1623), Puget was largely self-taught, as were his brother Gaspard Puget (1615-after 1683), an architect, and his son Fran?ois Puget (1651-1707), a painter. Apprenticed in 1634 to a wood-carver, Jean Roman, in Marseille, he left in 1638 for Italy, spending some years in Florence and Rome close to Pietro da Cortona, presumably as a stuccoist and painter, although his part in the decoration of the Palazzo Pitti, Florence, Cortona's main project of these years, is not clear. From 1643 he practised sculpture and painting at the Toulon Arsenal, France's largest naval shipyard, where he was appointed to the wood-carving workshop: around 1645, for instance, he designed and supervised the decoration of the ship Le Magnifique (in 1646 renamed La Reine; destr.). According to some sources, in 1646 he made a second journey to Italy,
|
|
|
|
|
|
|
|
